Skip to content
Axis Scene UK delivers the latest news, reviews, and insigh…

Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Look at 90s Rave Culture

The work of Portishead co-founder the musician-producer, this sharp-edged though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Woodsman denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Vibe

Just a single important plot development, but it leads to a comically executed chaotic run on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film is in UK and Irish cinemas from 17 November.

The writer

Chad Rich

A passionate researcher with a focus on emerging technologies and their societal impacts.

Axis Scene UK

Type to search articles.